The Reader


Benedict Anderson, Imagined Communities

Rhizomes, Issue 4, Cyberfeminisms. Composers might find Blair, Haas, and Heckman’s “Cyborgian Voices” of particular interest. ( is a free online Deleuzian critical theory journal; the entire archive is available and well worth a glance)

Helene Cixous, Laugh of the Medusa (Eng. trans.)

Donna Haraway’s 2003 lecture at UC Berkeley, “From Cyborgs to Companion Species: Dogs, People, and Technoculture”, a reading of her work “Companion Species Manifesto”

Rebecca Solnit, “Men Explain Things to Me

Timothy Morton, “Hyperobjects: Philosophy and Ecology After the End of the World

Karen Barad’s work in general: spec. “Post humanist Performativity: Toward an Understanding of How Matter Comes to Matter” “On Touching—The Inhuman That Therefore I Am”

Camille Paglia, “Sexual Personae

MusikTexte 149, The New Discipline, May 2016

Jane Bennett: “Powers of the Hoard: Artistry and Agency in a World of Vibrant Matter” lecture at The New School, a sensitive approach to materiality

Kate Eichorn, “The Archival Turn in Feminism: Outrage in Order” (interview with Eichhorn here

Ann Cvetkovich, “An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures

Sianne Ngai, “Ugly Feelings”; “Our Aesthetic Categories: Zany, Cute, Interesting” (excerpt)

Rosalind Krauss, Sculpture in the Expanded Field

Steven Takasugi, Why Theater? or, A Series of Uninvited Guests

Deleuze, The Fold: Leibniz and the Baroque


Hexagram Laboratories in Montreal, QC, Canada

female:pressure’s V I S I B I L I T Y blog: contributing images of women working in the technologies of music

GRID (Gender Relations in Darmstadt) Blog


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